In his book Jachimecki discussed the Italian features of works by Polish composers, Italian musicians active in Poland and their oeuvre and the Polish reception of both the Italian repertoire and their performing practice. The book proved to be important for the musicologists of the twentieth and early twenty-first centuries. They shifted their attention, however, to the music by Italians and to the reception of Italian compositions. Jachimecki’s successors also interpreted ‘Polish’ music in the context of the ‘Italian’ repertoire created in Poland and of the European repertoire. Consequently, they identified Italian components present in vernacular music
The paper presents the research project coordinated by the University of Warsaw and financed by the ...
Kultura muzyczna XVII-wiecznej Rzeczypospolitej ulegała silnym wpływom innych ośrodków europejskich,...
This dissertation explores Italian influence on Russian Church music in the late eighteenth-century....
Italian-Polish relations, being one of the most essential issues for the history of music in the 17t...
Związki polsko-włoskie w muzyce XVII-wiecznej Rzeczypospolitej w świetle prac Zygmunt M. Szweykowski...
Italia for ages attracted representatives of all sorts nations with unique geographical advantages, ...
The author discusses his inspirations and premises behind Polish Composers 1918-2000, which appeared...
Marco Scacchi (c. 1600-1662), in the years 1633-1649/50 the chapel master at the court of the Polish...
Asprilio Pacelli (post 1560-1623) was the longest active Italian chapel master at the Polish royal c...
The article presents a Polish monarch of the House of Vasa, Władysław (Ladislaus) IV, as a patron of...
The article focuses on the Italian oratorio in Poland in the period of Stanisław August Poniatowski ...
The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth is the research ...
The article discusses the notion of Polish music, the possibilities of defining that notion, establi...
Influence of Polish ethnic musical culture in Lithuania is evident mainly in usage of European music...
Music has accompanied every-day life of Polish society for many centuries. Before Christianity came ...
The paper presents the research project coordinated by the University of Warsaw and financed by the ...
Kultura muzyczna XVII-wiecznej Rzeczypospolitej ulegała silnym wpływom innych ośrodków europejskich,...
This dissertation explores Italian influence on Russian Church music in the late eighteenth-century....
Italian-Polish relations, being one of the most essential issues for the history of music in the 17t...
Związki polsko-włoskie w muzyce XVII-wiecznej Rzeczypospolitej w świetle prac Zygmunt M. Szweykowski...
Italia for ages attracted representatives of all sorts nations with unique geographical advantages, ...
The author discusses his inspirations and premises behind Polish Composers 1918-2000, which appeared...
Marco Scacchi (c. 1600-1662), in the years 1633-1649/50 the chapel master at the court of the Polish...
Asprilio Pacelli (post 1560-1623) was the longest active Italian chapel master at the Polish royal c...
The article presents a Polish monarch of the House of Vasa, Władysław (Ladislaus) IV, as a patron of...
The article focuses on the Italian oratorio in Poland in the period of Stanisław August Poniatowski ...
The Music Repertoire of the Society of Jesus in the Polish-Lithuanian Commonwealth is the research ...
The article discusses the notion of Polish music, the possibilities of defining that notion, establi...
Influence of Polish ethnic musical culture in Lithuania is evident mainly in usage of European music...
Music has accompanied every-day life of Polish society for many centuries. Before Christianity came ...
The paper presents the research project coordinated by the University of Warsaw and financed by the ...
Kultura muzyczna XVII-wiecznej Rzeczypospolitej ulegała silnym wpływom innych ośrodków europejskich,...
This dissertation explores Italian influence on Russian Church music in the late eighteenth-century....